This is Not Attractive

So ten days or so have passed since the beginning of this trip to shape my upcoming Fringe Show "Front Line" with Director Yana Landowne and it’s all a blur. It feels like I arrived in NYC a month ago, and I have to check my calendar to remember all that has happened. I don’t think my brain can process information as fast as the pace required in this city that never sleeps. So now I am in the airport, waiting to board my plane back to Edinburgh and It all feels very very weird. I have a ton of photos and videos that have been shot, and will try to do my best to follow my journey. DAY 2 So on the second day at Yana’s we rehearse for three hours and immediately afterwards we leave to go to a restaurant where we drink Prosecco and eat oysters (my first time ever!). It is very classy and tasty and hip but doesn’t cost a bomb because it’s happy hour… After a healthy dose of fish Yana has to take a phone call and while she talks we walk to one of her director frien

This trip has been long in the making. It all started two years ago, in a street near my home in Edinburgh during the 2014 Fringe. While waiting in a cue to see a clown show I struck a conversation with a very colourful lady who struck me as very different from the crowd. She had a broad smile and a open energy about her as well as a congenial dress sense.  I wouldn't have made much of it if it weren't for the fact that I kept bumping into her at shows and finally at my house, as it turned out she had made friends with my then troubador musician flatmate Danny Mullins.  It was friendship at first sight, and very soon I found myself skyping Yana, who turned out was part of a NY art collective as well as a NY director and lovely person extraordinnaire. Soon I also learned that we shared similar asthetics as well as ethics and artistic vision. It didnt take long to figure we wanted to work together, but it did take a while to figure out doing what.  Back in 20