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Day 1 in NYC

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This trip has been long in the making. It all started two years ago, in a street near my home in Edinburgh during the 2014 Fringe. While waiting in a cue to see a clown show I struck a conversation with a very colourful lady who struck me as very different from the crowd. She had a broad smile and a open energy about her as well as a congenial dress sense.  I wouldn't have made much of it if it weren't for the fact that I kept bumping into her at shows and finally at my house, as it turned out she had made friends with my then troubador musician flatmate Danny Mullins.  It was friendship at first sight, and very soon I found myself skyping Yana, who turned out was part of a NY art collective as well as a NY director and lovely person extraordinnaire. Soon I also learned that we shared similar asthetics as well as ethics and artistic vision. It didnt take long to figure we wanted to work together, but it did take a while to figure out doing what.  Back in 20
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NYC Day 2-9

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So ten days or so have passed since the beginning of this trip to shape my upcoming Fringe Show "Front Line" with Director Yana Landowne and it’s all a blur. It feels like I arrived in NYC a month ago, and I have to check my calendar to remember all that has happened. I don’t think my brain can process information as fast as the pace required in this city that never sleeps. So now I am in the airport, waiting to board my plane back to Edinburgh and It all feels very very weird. I have a ton of photos and videos that have been shot, and will try to do my best to follow my journey. DAY 2 So on the second day at Yana’s we rehearse for three hours and immediately afterwards we leave to go to a restaurant where we drink Prosecco and eat oysters (my first time ever!). It is very classy and tasty and hip but doesn’t cost a bomb because it’s happy hour… After a healthy dose of fish Yana has to take a phone call and while she talks we walk to one of her director frien
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And so I did it

Taking courage in both hands... this is what we say in Italy. The meaning is rather obvious is it not? Sometimes you gotta wait til you feel high and strong to be able to make a difficult decision. You know that later you will have your weak moments but if you do it when you feel on top of the world you are operating from the vantage point of having all the resources to deal with the upcoming difficulties. You sort of feel like you 'll be ok, and that gives you the strength to go with the right path for you even though it is scary. So I did it. I waited til I felt on top of the world, after a gig. And it seemed easier. Later I still had to pay the consequences and felt like crap for a while but at least I wasn't in Limbo anymore and deep inside I knew I had done the right thing. A few days have now passed and I have had my moments of insecurity and tears. I have felt like nothing ever changes and that I am always falling into the same patterns. But then I picked myself up:
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